Edit The character that has Stewie's appearance on the show now is nowhere near what it was when the show started, he barely sounds like Stewie and he doesn't behave like Stewie at all, I'll call them Stewie 1 and Stewie 2. Stewie 1 is the diabolic genius we've all known and love, set on killing his mom and world domination, he doesn't feel for anyone, he has his own honorable values that he expresses every now and then, it's clear that he is a baby after all as he often realize how helpless he is without his mom or displays to us how he completely misinterprets normal events that happen around him. Stewie 1 has a strong scientific background and every now and then it appears that the inner workings of his mind, cultural awareness and social dealings are those of a man older by at least 6 decades.
Why are we interested whether this project is an actual transmedia example? If we then look at the content we should also assess its proper use on different platforms and adjustment of several projects to the story world.
Because there are many series extensions only most relevant ones were selected for this analysis. In order to check The Family Guy we will use academic sources balanced with audience and reviewers opinions to have a clear insight of the project. Later on, we will have a closer look on the products that build The Family Guy world followed by the critique of its weak sides and suggestions of how to improve the concept.
What is The Family Guy? Show called The Family Guy is a Fox production created by Seth MacFarlane for adults even though, it is an animated series it presents a fictional dysfunctional family of the Griffins: Peter dadLois momMeg daughterChris sonStewie the youngest sonBrian dog and their friends and relatives.
The narration in the fictional city of Quahog lasts for over 13 years now, as it was aired for the first time init consists of episodes of 10 series. The subjects in the show are usually dependent on the cultural references which are bind Family guy analysis the family life that has actual no time line.
This is purely entertaining show for adults that was criticised for its racist and sexists jokes, negative image of religion or presenting dysfunctional family relations. The gags are rather simple and easy to consume so its artistic value is rather low what was another cause for the show criticism.
The fact is, that the programme has its Twitter and Facebook official and unofficial profiles, YouTube is loaded with UGC and clips from the show, and there are 19 podcasts on iTunes to listen or download. The Family Guy also appears on different media platforms, besides television series and its spin-off The Cleveland Show there are comic books, flash games, video games and live performances, DVDs, collectibles, costumes, mugs, etc.
Therefore, spreadability of the programme may be acknowledged, however, we may observe a lack of drillability, the notion presented by Mittell and understood as an encouragement for fans to dig deeper in order to discover the complexity of a story Mittell cited in Jenkins, a.
The same with comic books, video games or books. It was predicted by Mittell who stated that sometimes the franchise sustains spreadability but does not offer any real depth to drill at the same time which in this case fully apply to The Family Guy Mittell cited in Jenkins, a.
Those voices may indicate a lack of continuity in The Family Guy universe but, it does not influence on the multiplicity of content created by fans which is enormous.
The Family Guy fans like to retell the stories in alternative ways, from different points of view and these stories are usually kept in the frames of the story so e. Multiplicity of content produced by Fox is enormous as well, we may read the family story in comic books, books, we may play various mobile, video, board or card games, play with The Family Guy toys, etc.
Multiplicity of content would be also confirmed, then. The audience did not acquire any new knowledge about the story nor took part in the show so unique and personal experience of a viewer may be arguable. However, when it comes to extractability, which means merchandising, the variety of products is huge: Worldbuilding The fundamental notion of Transmedia Storytelling is worldbuilding which, due to the complex universe, well-constructed characters, enables the producer to make transmedia extensions not always build around the core narrative but assuring different entry points to the universe.
There are several episodes where they talk to each other by phone however, no direct meetings were presented in both shows since Cleveland moved and other closer relations between shows do not exist as well. Only few times Peter mentioned e. Summing up, the world of The Family Guy is not really a complex structure and certain lacks restrain audience to enjoy it more on different platforms, with additional information or with a clear connection to the spin-off story.
In the way as it is created now, the story of The Family Guy does not seem as a universe waiting to be discovered, but rather a simple story of a family and their friends. Jenkins, b On one hand, we have video games and comics that engage people with other platforms than the television series only.
On the other hand, those are not meaningful chunks that help us to get some additional information of the story world connected with the main narrative. As I presented some arguments in the previous section of continuity vs.
Those are just pieces of stories placed in the story world that do not have any relation to what happens in the series, the main narration plot. Thus, we cannot perceive them as enriching pieces of the story that in turns questions the seriality notion in the case of The Family Guy.
Subjectivity The next thing ascribed to transmedia production is its subjectivity, the possibility to release transmedia extensions which will explore the main narration through new eyes and give new perspective to the story Caddell, The examples of subjectivity are mobisodes and webisodes, which do not exist in The Family Guy production.
There is, however, one dimension of subjectivity that is applied in almost every episode of the series: Louis takes part in a porn movie before she meets Peter. They are used as a self-referential humour that enriches the plot but not the story world itself.
Performance The last notion of transmedia production is performance which refers to fan produced transmedia extensions that can become a part of the narrative.- “Family Guy” and its Asian Stereotypes “Family Guy” is well known to be a cartoon of disgrace and ill-mannered portrayals of real life events.
Asian Stereotype was no exception portrayals in “Family Guy”. Analysis of Guy de Maupassant's Two Friends - We all have a place that we like to go to relax.
For some, it is a quiet. Analysis of Stewie's massive characterization change. The character that has Stewie's appearance on the show now is nowhere near what it was when the show started, he barely sounds like Stewie and he doesn't behave like Stewie at all, I'll call them Stewie 1 and Stewie 2.
Analysis of Stewie's massive characterization change Edit.
The character that has Stewie's appearance on the show now is nowhere near what it was when the show started, he barely sounds like Stewie and he doesn't behave like Stewie at all, I'll call them Stewie 1 and Stewie 2.
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In order to check The Family Guy we will use academic sources balanced with audience and reviewers opinions to have a clear insight of the heartoftexashop.com first, The Family Guy will be checked according to Jenkins’ 7 concepts of transmedia to have a general overview if we can actually say about The Family Guy heartoftexashop.com on, we will have a closer look on the products that build The.
Mar 24, · In the following paper, I will examine the Fox Broadcasting Company’s serial animated program Family Guy created by Seth McFarlane. Despite two cancellations, Family Guy is now in its eighth season and the Griffin Family is a stable of Fox’s Sunday night “animation domination” promotion.
The following analysis will outline several of the dominant and.