Postcards from chinatown

The lynching in Seattledrawn by A.

Postcards from chinatown

This is a simple participatory artwork where people are invited to write down a sexual secret in pencil, on an index card, put it in a small envelope, and deposit it into an empty fish bowl.

Secrets pulled from the bowl are turned into text paintings on canvas, and a small set of these canvases are displayed above and around the station for writing.

The structure of display is intended to suggest that these shared secrets are Postcards from chinatown beautiful little fragments or gifts, thus diffusing lurid or unsettling qualities in the massage and encouraging the reader to focus on the humanity of the truth revealed.

Inspiration for the project comes from a number of sources. Many artists have worked with the idea of secrets, and there are numerous websites devoted to sharing anonymous confessions of one sort or another.

I have also been intrigued by the jpeg and gif messages left by people for one another on line, often showing some cheesy romantic or sexy image along with a simple text message. The kind of images that were to be found on My Space, Pinterest or other social interactive sites, and not infrequently covered with dancing sparkles, or animated water reflection effects.

Other sites encourage people to take photos of themselves holding paper signs with messages or promotions, or invite others to write letters or postcards Postcards from chinatown mail them anonymously to the site, where the most interesting ones will be posted.

The project is also influenced by the many short form writing technologies currently popular, including texting, IM, and Twitter. Use of the index cards, rather than say a sheet of paper for participants to share secrets on, is intended to encourage this kind of short form writing.

Though the project is largely inspired by internet and digital phenomena, I chose to invite people to participate though old fashioned chirography, in part to suggest the feeling of writing in a diary, and also to evoke the long lost art of the writing of love letters, and notions of secret paramours, and found physical traces of the intimate lives of others.

White Plains Story, p, Painters of the Hudson River School traveled to rather remote natural locations where they made sketches, studies and gathered visual memories, but then trekked back to the safety of their homes and studios to make the paintings, often combining elements from a variety of different locales into a single synthesized composition.

Postcards from chinatown

My title for the exhibit is an oblique reference to this practice. The works combine the subjective and personal with larger forces, tracing geology, prehistory, international politics, and global cultural diffusion to tell the story of the region.

Video Excerpt 4 minutes, 30 seconds: The two channels are projected onto a 9 foot high by 36 foot wide roll of white paper, scrolled up at both left and right ends to create a 22 foot screen. One video channel projects scrolling text, like one might see at the end of a feature film, but instead of credits, the text tells the history of the White Plains area.

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It involves three sections or chapters. A second video channel also projects three sections. The artists trip from New York City up to White Plains, a sit down interview with Kathleen Reckling, Gallery Director of ArtsWestchester about her work and her life growing up in the area, and a driving tour with local resident David Licata through various neighborhoods of the city.

This second channel is in the form of a cartoon, shot entirely on an iPhone with the ToonCamera app, to convert the video into the visual look of cartoons, and then edited and enhanced in Final Cut Pro. Both channels are projected onto a inch by 36 foot long roll of Super White Set or photo background paper, evoking the notion of pages in books, and comic books in particular, while at the same time suggesting scrolls which might contain histories or panoramic landscapes.

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It also references the technology of acetate film with the ends curled up, and the giant binder clips which hold it up the paper screen spaced along it like sprocket holes. The two video channels, running concurrently, one historical text, the other lush colored cartoons telling personal stories, cause the viewer to jump back and forth between competing narratives, past and present, suggesting a continuum of reality about the region, which must be parsed and filtered to make sense of.

All of the disperate competing truths coming together to suggest one possible White Plains Story. Stemming the Tide, p, Created by the artist doing screen captures of going through his own email, and responding to requests to take action on behalf of different causes.

The video increases in speed over time suggesting the urgency of countering negative forces in the world, and fades out at the end, with the suggestion that the need to take action is ongoing, and perhaps never-ending.

The viewer is left with the task of deciding whether efforts to change the world via electronic action at a distance are vital or hopeless, naive or heroic, or simply a necessary part of everyday life.

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Video Excerpt One minute, silent: The work is intended to explore the Brooklyn neighborhood of Dumbo, and is part of a series of works using this same material in different formats including video projection and large format prints on paper and canvas.

The following are some installation images. The artwork, in a form similar to the comic book, take inspiration from the factories built along the East River waterfront. Dumbo is a place of outsized architecture.

Everything is at the scale of elephants or super heroes. In addition to its rich history, it is currently the site of some of the most intense gentrification in New York City.

In Dumbo Comic Book the neighborhood and the buildings themselves are characterized through the visual language of the comic book, in order to provoke thought on issues of urban planning, quality of life, and the visual impact of the street level built environment.

The project acknowledges the scale of the area and the special place which architecture and development holds here.

This work started from 12 megapixel digital stills shot on the streets of Dumbo.

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Part of the byproduct of this method is that elements of text treating the Walt Disney Animated feature by the same name also make their way into the work, serendipitously adding to critique of issues within the neighborhood.

Working with the form of the comic, this project attempts to provoke thought on issues of urban planing, quality of life, and visual impact of the street level built environment.

For details on other work from this series see:Martesana: A perfetto pasticceria on the edge of Chinatown February 4 | Chinatown, Milan From full-sized cakes to tiny treats, this pasticceria will leave your mouth watering.

Make the Chinatown Heritage Centre your first stop and join us on our tours led by the iconic characters of Chinatown to fully experience the rich culture and heritage charm of Singapore’s Chinatown. "Postcards from Chinatown" was written in , based on a photographic study of old Chinatown, particularly Smith Street Complex and Block 1 Upper Pickering Street, the latter of which housed Terence’s paternal grandparents, and formed a significant part of his childhood memory.

Aug 02,  · Postcards from Chinatown With the recent disappearance of the pair of neon signs that once hung over the defunct Jade Mountain restaurant on Second Avenue, one of the great typologies of old neon – Chinese restaurant signs – is poised for complete extinction, at least within the five boroughs.

Postcards from Chinatown - Analysis Words | 6 Pages In “Postcards from Chinatown”, the poet examines how, in a place that had been renovated as a tourist attraction, the past lurks in the shadows of the present, which is unauthentic and seemingly all just a performance for entertainment.

Sri Mahamariamman Temple (Wat Kak) Sri Mahamariamman Temple was built in It is a Brahman (Hindu) temple of Shakti sect, which reveres this "mother of the god" The interiors are decorated with a principal image Sri Mahamariamman (Uma Devi), surrounded by Ganesha, Khandakumara, Krisna, Vishnu, Rasmi a Kali.

Postcards from chinatown
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